¿Â¶óÀÎ
¡¤°úÇС¤±â¼ú


¿¹¼úÀÛÇ°¿¡¼­ ¼öÇÐÀÇ ¹ýÄ¢À» ¹ß°ßÇÏ´Ù
±«µ¨, ¿¡¼Å, ¹ÙÈå
Godel, Escher, Bach
ºÐ¾ß : °úÇС¤±â¼ú,
±³°ú : °úÇÐ,
ÀÚ·á¼ö : 51 °³
±¸µ¶°¡ [1³â]
 50,000 ¿ø¡æ 40,000 ¿ø (20%¡é)

¡Ü ±«µ¨, ¿¡¼Å, ¹ÙÈå - ÀÛÇ° ¼Ò°³

 

¡¶±«µ¨, ¿¡¼Å, ¹ÙÈå: ¿µ¿øÇÑ È²±Ý ¸Ó¸®¡·´Â Àεð¾Ö³ª ´ëÇб³ ÄÄÇ»ÅÍ °úÇÐ ±³¼ö ´õ±Û·¯½º È£ÇÁ½ºÅÂÅÍ°¡ ¾´ ǽ¸®Ã³»ó ¼ö»óÀÛÀÌ´Ù. 1979³â óÀ½ Ãâ°£µÈ ÀÌ Ã¥Àº °Ñº¸±â¿¡ ¹«°üÇØ º¸ÀÌ´Â ¼¼ °¡Áö ÁÖÁ¦ÀÎ ¼öÇÐ, ¿¹¼ú, À½¾ÇÀÇ ·»Á ÅëÇØ Àǽİú Áö¼º, âÀǼºÀÇ º»ÁúÀ» Ž±¸ÇÑ´Ù.

ÀÌ Ã¥ÀÇ Á¦¸ñÀº ºÒ¿ÏÀü¼º Á¤¸®¸¦ °ø½ÄÈ­ÇÑ ¼öÇÐÀÚ Äí¸£Æ® ±«µ¨, º¹ÀâÇÏ°í ±âÇÏÇÐÀûÀ¸·Î ¿µ°¨À» ¹ÞÀº ±×¸²À» ¸¸µç ¿¹¼ú°¡ ¿¡¼Å, ±×¸®°í º¹ÀâÇÏ°í ±íÀÌ ±¸Á¶È­µÈ À½¾Ç ÀÛÇ°À» ¾´ ÀÛ°î°¡ ¿äÇÑ ¼¼¹Ù½ºÆ¼¾È ¹ÙÈåÀÇ ¼¼ »ç¶÷À» °¡¸®Å²´Ù. È£ÇÁ½ºÅÂÅÍÀÇ ³íÁ¦´Â ÀÌ ¼¼ ÁÖÁ¦°¡ ±íÀÌ ¾ôÇô ÀÖ°í, ±Ùº»ÀûÀÎ °³³ä°ú ±¸Á¶¸¦ °øÀ¯ÇÑ´Ù´Â °ÍÀÌ´Ù.

Ã¥Àº ÃÑ 20ÀåÀ¸·Î ±¸¼ºµÇ¾î ÀÖÀ¸¸ç, °¢°¢ Ã¥ÀÇ Áß¿äÇÑ ³íÁ¦¿Í °ü·ÃµÈ ´Ù¾çÇÑ °³³ä°ú ÁÖÁ¦¸¦ ¼Ò°³ÇÏ°í Ž±¸ÇÑ´Ù. ¿©±â¼­ ´Ù·ç´Â ÁÖ¿ä ÁÖÁ¦ Áß ÀϺδ Àç±Í, ÀÚ±â ÂüÁ¶, Çü½Ä ½Ã½ºÅÛ, Æ©¸µ ±â°è, ÀÇ¹Ì ¹× Ç¥ÇöÀÇ º»ÁúÀ» Æ÷ÇÔÇÑ´Ù.

±«µ¨, ¿¡¼Å, ¹ÙÈå´Â ÀÎÁö°úÇÐ, öÇÐ, ¼öÇÐ, ÄÄÇ»ÅÍ °úÇÐ ºÐ¾ß¿¡¼­ ³ôÀº Æò°¡¸¦ ¹Þ°í ÀÖÀ¸¸ç, ¸¹Àº ¿¬±¸ÀÚµéÀÌ ÀÌ·¯ÇÑ ÁÖÁ¦¿¡ ´ëÇØ »ý°¢ÇÏ´Â ¹æ½ÄÀ» Çü¼ºÇÏ´Â µ¥ ¿µÇâÀ» ¹ÌÃÆ´Ù. ÀÌ Ã¥Àº Àç¹ÌÀÖ°í Á¢±ÙÇϱ⠽¬¿î ½ºÅ¸ÀÏ°ú º¹ÀâÇÑ ¾ÆÀ̵ð¾î¸¦ ¸Å·ÂÀûÀÌ°í ÀÌÇØÇϱ⠽¬¿î ¹æ½ÄÀ¸·Î ¼Ò°³ÇÏ´Â ´É·ÂÀ¸·Î À¯¸íÇÏ´Ù.

 

 

¡Ü À¯¸íÇÑ Àο뱸

 

"³ª´Â ÀÌ»óÇÑ °í¸®´Ù."

 

ÀÌ Àο뱸´Â ¹®±¸´Â »ý°¢À» °£°áÇÏ°Ô Ç¥ÇöÇÏ´Â ¹æ¹ýÀÌ´Ù. È£ÇÁ½ºÅÂÅÍ´Â Àھư¡ °íÁ¤µÈ ºÒº¯ÀÇ ½Çü°¡ ¾Æ´Ï¶ó ²÷ÀÓ¾øÀÌ ÁøÈ­ÇÏ°í ÀÚ±â ÂüÁ¶ÀûÀÎ ±¸Á¶¶ó°í ¸»ÇÏ°í ÀÖ´Ù. ¿ì¸®°¡ °æÇèÇÏ´Â "I"´Â Á¤ÀûÀÎ ¹°Ã¼°¡ ¾Æ´Ï¶ó ´õ ´Ü¼øÇÑ ¿ä¼ÒµéÀÇ »óÈ£ÀÛ¿ë¿¡¼­ ³ª¿À´Â °úÁ¤ÀÌ´Ù.

 

 

¡Ü ÀÛ°¡ ¼Ò°³

 

´õ±Û·¯½º È£ÇÁ½ºÅÂÅÍ´Â ¹Ì±¹ÀÇ ÀÎÁö°úÇÐÀÚ, öÇÐÀÚ, ÀÛ°¡ÀÌ´Ù. ±×´Â 1945³â 2¿ù 15ÀÏ ´º¿å½Ã¿¡¼­ ž°í ÀǽÄ, âÀÇ·Â, ÀΰøÁö´É¿¡ ´ëÇÑ ±×ÀÇ ÇÐÁ¦ÀûÀÎ ¿¬±¸·Î °¡Àå Àß ¾Ë·ÁÁ® ÀÖ´Ù.

1965³â ½ºÅÄÆÛµå ´ëÇб³¿¡¼­ ¼öÇÐ Çлç ÇÐÀ§¸¦, 1975³â ¿À¸®°Ç ´ëÇб³¿¡¼­ ¹°¸®ÇÐ ¹Ú»ç ÇÐÀ§¸¦ ¹Þ¾Ò´Ù. ±×´Â ÀÌÈÄ ¸Å»çÃß¼¼Ã÷ °ø°ú´ëÇб³¿Í Àεð¾Ö³ª ´ëÇб³¿¡¼­ ±³¼öÁ÷À» ¸Ã¾ÒÀ¸¸ç, ÇöÀç ¿¹¼ú °úÇÐ ´ëÇÐÀÇ ÀÎÁö °úÇаú ÄÄÇ»ÅÍ °úÇÐÀÇ Àú¸íÇÑ ±³¼öÀÌ´Ù.

È£ÇÁ½ºÅÂÅÍ´Â 1980³â ǽ¸®Ã³»ó ºñ¼Ò¼³ ºÎ¹®À» ¼ö»óÇÑ ±×ÀÇ Ã¥ "±«µ¨, ¿¡¼Å, ¹ÙÈå: ¿µ¿øÇÑ È²±Ý ¸Ó¸®"·Î °¡Àå À¯¸íÇÏ´Ù. ÀÌ Ã¥Àº ³í¸®ÇÐ, ¼öÇÐ, À½¾Ç, ÀΰøÁö´ÉÀÇ ¿¬°ü¼ºÀ» Ž±¸Çϸç ÀÎÁö°úÇÐ ºÐ¾ß¿¡¼­ ȹ±âÀûÀÎ ÀÛÇ°À¸·Î ²ÅÈù´Ù.

È£ÇÁ½ºÅÂÅÍ´Â ¶ÇÇÑ "À¯µ¿Àû °³³ä°ú âÁ¶Àû À¯Ãß", "³ª´Â ÀÌ»óÇÑ ·çÇÁ", "Ç¥¸é°ú º»Áú"À» Æ÷ÇÔÇÏ¿© ÀǽÄ, âÀǼº, ±×¸®°í ÀΰøÁö´É¿¡ °üÇÑ ´Ù¸¥ Ã¥µéÀ» ½è´Ù ±×ÀÇ ÀÛÇ°Àº ÀÌ·¯ÇÑ º¹ÀâÇÑ ÁÖÁ¦¿¡ ´ëÇÑ ¿ì¸®ÀÇ ÀÌÇظ¦ Çü¼ºÇÏ´Â µ¥ Å« ¿µÇâÀ» ¹ÌÃÆÀ¸¸ç âÀǼº, ±íÀÌ, µ¶Ã¢¼ºÀ¸·Î ³Î¸® Âù»ç¸¦ ¹Þ¾Ò´Ù.

 

 

¡Ü Introduction to Gödel, Escher, Bac

 

Gödel, Escher, Bach: An Eternal Golden Braid is a Pulitzer Prize-winning book written by Douglas Hofstadter, a cognitive scientist and professor of computer science at Indiana University. The book, first published in 1979, explores the nature of consciousness, intelligence, and creativity through the lens of three seemingly unrelated subjects: mathematics, art, and music.

The title of the book refers to three individuals who represent these subjects: Kurt Gödel, a mathematician who formulated the incompleteness theorems; M.C. Escher, an artist who created complex, geometrically inspired drawings; and Johann Sebastian Bach, a composer who wrote intricate and deeply structured musical compositions. Hofstadter's thesis is that these three subjects are deeply intertwined and that they share fundamental concepts and structures.

The book is organized into 20 chapters, each of which introduces and explores various concepts and themes related to the book's overarching thesis. Some of the key topics covered include recursion, self-reference, formal systems, Turing machines, and the nature of meaning and representation.

Gödel, Escher, Bach is a highly regarded work in the fields of cognitive science, philosophy, mathematics, and computer science, and it has been influential in shaping the way that many researchers think about these subjects. The book is known for its playful, accessible style, and its ability to introduce complex ideas in an engaging and understandable way.

 

 

¡Ü Famous quote

 

"I am a strange loop"

 

The phrase "I am a strange loop" is a concise way of expressing this idea. Hofstadter is saying that the self is not a fixed, immutable entity, but rather a constantly evolving and self-referential structure. The "I" that we experience is not a static object, but rather a process that emerges from the interactions of simpler elements.

 

 

¡Ü Introduction to Douglas Hofstadter

 

Douglas Hofstadter is an American cognitive scientist, philosopher, and author. He was born on February 15, 1945, in New York City and is best known for his interdisciplinary work on consciousness, creativity, and artificial intelligence.

Hofstadter received his Bachelor of Science in mathematics from Stanford University in 1965 and his Ph.D. in physics from the University of Oregon in 1975. He later held teaching positions at the Massachusetts Institute of Technology and Indiana University, where he is currently the College of Arts and Sciences Distinguished Professor of Cognitive Science and Computer Science.

Hofstadter is most famous for his book "Gödel, Escher, Bach: An Eternal Golden Braid," which won the Pulitzer Prize for General Non-Fiction in 1980. The book explores the connections between logic, mathematics, music, and artificial intelligence and is considered a seminal work in the field of cognitive science.

Hofstadter has also written other books on consciousness, creativity, and artificial intelligence, including "Fluid Concepts and Creative Analogies," "I Am a Strange Loop," and "Surfaces and Essences." His work has been highly influential in shaping our understanding of these complex topics and has been widely praised for its creativity, depth, and originality.

±«µ¨, ¿¡¼Å, ¹ÙÈå
ÀΰøÁö´ÉÀÌ Àΰ£ÀÇ ¿µ¿ªÀ» ħ¹üÇÒ ¼ö ÀÖ´Ù´Â ³í¸®¸¦ ÆîÄ£ ´õ±Û¶ó½º È£ÇÁ½ºÅ×ÅÍÀÇ <±«µ¨,¿¡¼Å,¹ÙÈå> ¼ÓÀ¸·Î ¶°³ªº¸ÀÚ



°¶·¯¸® ±¸µ¶»óÇ° - °³¿ä




°¶·¯¸® Á¦¸ñ ±«µ¨, ¿¡¼Å, ¹ÙÈå    Godel, Escher, Bach   (ºÎÁ¦:¿¹¼úÀÛÇ°¿¡¼­ ¼öÇÐÀÇ ¹ýÄ¢À» ¹ß°ßÇÏ´Ù)
1³â ±¸µ¶°¡  50,000 ¿ø  ¡æ   40,000 ¿ø (20%¡é)
ÃÑ ÀÛÇ° ¼ö 51 °³
±¸µ¶ ±â°£ 1³â
À¥ È£½ºÆà (1³â ¹«·á)
¹ÝÀÀÇüÀ¥ (PC¡¤¸ð¹ÙÀÏ¡¤ÅÂºí¸´)
ÀÛÇ° ¼³¸í
¾ð¾î ¹ø¿ª (MS-¿§Áö ºê¶ó¿ìÀú¿¡¼­ ¿µ¹® ¹ø¿ª±â ½ÇÇà, ³×À̹ö¾Û-ÆÄÆÄ°í ¹ø¿ª±â ½ÇÇà)
樨毢
ÀÓº£µðµå
ÀÛÇ° ÁٰŸ® (ÀÛÇ°¼ö : 9 °³)
ÀÛÇ° Çؼ® (ÀÛÇ°¼ö : 10 °³)
ÀÛ°¡ ¼Ò°³ (ÀÛÇ°¼ö : 9 °³)
ÀÛÇ° ¸Àº¸±â (ÀÛÇ°¼ö : 10 °³)
»ý°¢Çغ¸±â (ÀÛÇ°¼ö : 5 °³)
ÀÛ°¡ÀÇ ´Ù¸¥ ÀÛÇ° (ÀÛÇ°¼ö : 8 °³)




°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
»ùÇÃ
¿À´Ï»êƼ ¼º´ç ÀÛÇ° ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
»ùÇÃ
»ê Á¶¸£Áö¿À ¸¶Á¶·¹ ±³È¸ ÀÛÇ° ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
»ùÇÃ
»ê ÆĿ÷ΠǪ¿À¸® ·¹ ¹«¶ó ´ë¼º´ç ÀÛÇ° ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
¾Ï½ºÅ׸£´ã ±¹¸³¹Ì¼ú°ü
¾Ï½ºÅ׸£´ã ±¹¸³¹Ì¼ú°ü ¸íÈ­ ·£¼± Àü½Ãȸ
¿µ±¹±¹¸³¹Ú¹°°ü
¿µ±¹±¹¸³¹Ú¹°°ü ¸íÈ­ ·£¼± Àü½Ãȸ
ºÎ´ÙÆ佺Ʈ ¹Ì¼ú°ü
ºÎ´ÙÆ佺Ʈ ¹Ì¼ú°ü ¸íÈ­ ·£¼± Àü½Ãȸ
°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
±¸µ¶ °áÁ¦
¾È³»

1. ³ªÀ̽ºÄÃó¿¡¼­´Â 1³â °¶·¯¸® ±¸µ¶ÀÚ¿¡°Ô ÃÖ´ëÀÇ °¡°Ý ÇýÅÃÀ» µå¸®±â À§ÇØ Á¤°¡º¸´Ù ÇÒÀÎµÈ °¡°ÝÀ» Á¦°øÇÏ°í ÀÖ½À´Ï´Ù.

2. Çб³, µµ¼­°ü, °ü°ø¼­, ±â¾÷ µî¿¡¼­ °¶·¯¸® ±¸µ¶ÇÏ´Â °æ¿ì ±â¾ÈÇ°ÀÇ ¹× ÇàÁ¤Ã³¸®ÀÇ ÆíÀǸ¦ À§ÇÏ¿© ÇàÁ¤¼­·ù Áö¿ø ¹× ¼±ÁÖ¹® ÈÄ°áÁ¦¸¦ Áö¿øÇÏ°í ÀÖ½À´Ï´Ù.

3. °áÁ¦¹æ¹ýÀ¸·Î [¹«ÅëÀåÀÔ±Ý]À» ÀÌ¿ëÇϽñ⠹ٶø´Ï´Ù.

Áõ¸í¼­·ù
¹ß±Þ ¾È³»

1. Çб³, µµ¼­°ü, °ü°ø¼­, ±â¾÷ µî¿¡¼­ °¶·¯¸® ±¸µ¶ÇÏ´Â °æ¿ì ±â¾ÈÇ°ÀÇ ¹× ÇàÁ¤Ã³¸®ÀÇ ÆíÀǸ¦ À§ÇØ ´Ù¾çÇÑ ÇàÁ¤¼­·ù¸¦ Áö¿øÇÏ°í ÀÖ½À´Ï´Ù.

2. Áõºù¼­·ù°¡ ÇÊ¿äÇÑ °æ¿ì ±¸µ¶½Åû½Ã ÇÊ¿äÇÑ ¼­·ù¸¦ ¼±ÅÃÇϽñ⠹ٶø´Ï´Ù.

- »ç¾÷ÀÚ : ¼¼±Ý°è»ê¼­ ¶Ç´Â Çö±Ý¿µ¼öÁõ(ÁöÃâÁõºù¿ë) [µÎ Á¾ ¸ðµÎ µ¿ÀÏÇÏ°Ô ¸ÅÀÔ°øÁ¦¸¦ ¹ÞÀ» ¼ö ÀÖ½À´Ï´Ù.]
- °³ÀÎ: Çö±Ý¿µ¼öÁõ(¼Òµæ°øÁ¦¿ë)

3. »ç¾÷ÀÚµî·ÏÁõ, ÅëÀå»çº» µî ±âŸ ¼­·ù°¡ ÇÊ¿äÇÑ »ç¾÷ÀÚ´Â ·Î±×ÀÎ ÀÌÈÄ Àå¹Ù±¸´Ï ¡æ ÁÖ¹®Á¶È¸ ÆäÀÌÁöÀÇ »ó´Ü [ÇàÁ¤¼­·ù] ÅÇÀ» Ŭ¸¯ÇÏ¸é ¿øÇϽô ÇàÁ¤¼­·ù¸¦ ³»·Á¹Þ¾Æ »ç¿ëÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

±³È¯¡¤ÇØÁö
ȯºÒ ¾È³»

1. ±³È¯ : ÁÖ¹®ÇϽŠ°¶·¯¸®ÀÇ ÇÏÀڽà ±³È¯ÀÌ °¡´ÉÇÕ´Ï´Ù.

2. ÁßµµÇØÁö ¹× Ãë¼Ò

- ±¸Ãà Àü : Àü¾× ȯºÒ
- ÀÔ±Ý ¿Ï·á ¹× °¶·¯¸® ¼¼Æà ÈÄ : ³³ºÎ±Ý¾× - ½ÇÁ¦ ¹ß»ý ºñ¿ë(ÄÜÅÙÃ÷ »ç¿ë·á + ¼¼Æúñ + È£½ºÆúñ) - À§¾à±Ý(¹ýÁ¤ 10%)

3. ȯºÒ

- ¿äûÇϽŠ³¯·ÎºÎÅÍ 4~7ÀÏ(¿µ¾÷ÀÏ ±âÁØ) Á¤µµ ¼Ò¿äµË´Ï´Ù.
- ȯºÒ ¿äû °èÁ·ΠȯºÒ 󸮰¡ µË´Ï´Ù.
- Áõºù(¼¼±Ý°è»ê¼­¡¤Çö±Ý¿µ¼öÁõ)ÀÌ ¹ß±ÞµÇ¾úÀ¸¸é ȯºÒ ±Ý¾×¸¸Å­ Á¦¿ÜÇÏ°í ¼öÁ¤ ¹ßÇàµË´Ï´Ù.

±¸µ¶ ¹®ÀÇ °í°´¼¾ÅÍ :     [ÀüÈ­] 02) 6412-0132~3     [email] art@niceculture.com